![]() ![]() You struggled to preserve continuity of three-dimensional space, and it was seen as a failure of rigor or skill to violate it 9. The first thing discussed in film-school editing classes is what I’m going to call three-dimensional continuity: In shot A, a man opens a door, walks halfway across the room, and then the film cuts to the next shot, B, picking him up at that same halfway point and continuing with him the rest of the way across the room, where he sits down at his desk, or something.įor many years, particularly in the early years of sound film, that was the rule. We were graciously granted permission to use an excerpt of this book (one of the many insightful chapters) to share with you. In his famous book (an oft essential film school reading), ‘ In The Blink Of An Eye‘, he shares some of his insights on film editing and, more accurately, how the human brain reacts to moving images that are rearranged in time. But more important is the mindset he brings as a philosopher to these mediums. He is the only person to ever win an Oscar for both Best Sound Editing and Best Sound Mixing on the same film and is the only film editor to have won awards on 4 different editing technologies (Moviola, KEM Flatbed, Avid and Final Cut Pro). ![]() A highly respected force in the world of cinematic storytelling, he has pioneered numerous techniques in sound design and film editing that are still used today (ie. Most professionals (and aspiring ones) working in the film and sound industries know the name Walter Murch. ![]()
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